Мандельштам, Пастернак - все были реально душевнобольные.
Шолохов тоже кстате.
Жизнь дается человеку один раз и прожить ее надо так, чтобы не ошибиться в рецептах.
Строить Асгардию побуждает тьма, посетившая людские души
By 1954, only 50 writers remained of the 700 who had met at the First Congress of the Union of Soviet Writers twenty years earlier. Estimates suggest that “some 2000 literary figures were repressed, of whom about 1500 met their deaths in prison or camp.”12 And, while some were persecuted because they condemned the Party openly, more were targeted because they remained apolitical. These writers were heirs to another Russian literary tradition best represented by Anton Chekhov (1860-1904). At odds with Belinsky’s concept of literature as servant of the cause, writers like Chekhov sympathized strongly with the fate of Russia and its people, yet refused to attach political or philosophical ideologies to their work.
As seen in Akhmatova’s example, such refusal during the Stalinist years could be costly. And, although Akhmatova was “rehabilitated” after the death of Stalin and, to some degree, readmitted into the Soviet literary community, her poem-cycle Requiem was long in appearing in the Soviet Union. Written as a monument to the victims of the Purges, and first published in Munich in 1963, Requiem did not appear in Russia until twenty-four years later. In it, the poet expressed a common plaint about the fate of Russia’s intellectuals:
цирк с конями
Майки, ты не рубишь. мы в высшей Школе кегебе четали Михаила Кузмина. вот где жость.
https://ru.wikipedia.org/wiki/%D0%9A...B2%D0%B8%D1%87
Веничка у него спиздил тему "не к добру тебе будет эта тринадцатая рюмка".
у Кузмина были рассказы на тему "йа выпил четыре стакана водки" и он в красках описывал всю чертовщину, которая ему после этого мерещилась.
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